The concept of AUK Studios' new Sir Sherlock series is, as I mentioned before, a delightful one: fresh off his retirement as a beekeeper and reluctantly accepting a knighthood at last, Sherlock Holmes rejoins Dr. John Watson for another round of deductions in a more modernized London. This means working with the granddaughter of old friend Lestrade, crossing paths with a new generation of consulting detective and — in The Sickle and the Sea — stepping into a whole new era of politics.
Kenton Hall pens both the script and the novelization for this new adventure, which takes place at sea on our lead trio's return from Russia. Rather than going aboard a passenger liner, Holmes, Watson, and Sergeant Lestrade cross the sea accompanied by a small crew, a handful of fellow travelers, and a great deal of grain. But the very small manifest begins to grow even smaller when one of the crew is found dead: seemingly drowned. But there are two problems: the drowned body is bone-dry, and Watson believes the victim to have died several days ago... despite them having just had dinner with him.
Before long, more of the people on board begin to lose their lives. But Holmes and Watson are quickly running out of suspects. How could someone be recently alive and dead for several days? Why are multiple drowned corpses turning up dry? And how many murderers are there really aboard the ship?
As always, Tom Baker and John Leeson are delightful together. The Red Letter Day established that this Holmes and Watson are, while recognizable, still quite different. Age and experience have made Sir Sherlock slightly more whimsical; but despite his assertions to the contrary last episode, this Holmes is still as quick-witted as ever. The banter between Baker and Leeson is beautifully natural; there are old friends reunited, aware of each other's foibles but still full of affection and respect for each other.
Kenton Hall offers every actor a fantastic story arc, but Emily Lestrade in particular has a great opportunity to shine. We see her view of her role in society and in the story: a desire for herself and all women to be judged independently on their merit rather than being subjected to any extreme of judgment. There's always a danger of new characters in classic groups feeling "off," but Katy Ashworth fits right in with her costars.
As the second in the series, The Sickle and the Sea doesn't have the baked-in issue of needing to do setup and worldbuilding. It can comfortably tell its story with all the characters introduced and known, and that works in its favor. There's more time to get down to business exploring the new "modern day" of the series — in this case, discovering Holmes's view of rebellion, revolution, and the juxtaposition of individuals and their government. Sir Sherlock was already good, but it continues to get better.
And there's a third installment currently being crowdfunded! Check out the campaign for Sir Sherlock 3: The Parting Shot, featuring a guest appearance from Sophie Aldred! And if you missed either of the previous campaigns, you can pledge for one of the bundles featuring past CDs.



























