THE SEASON OF LIGHT AND DARKNESS
by Jillian Cantor
Available August 4
Dystopian novels are the "it" thing right now, and that could be for a couple reasons. On the one hand, The Hunger Games is huge and lots of people want a piece of that. On the other, there's a data center in my state whose mere existence is killing cows. So, you know. It could really be either or.
A book falling into the current hotness does not automatically make it bad, but it does (for better or for worse) make me look on it with a somewhat more critical eye. Is this a diamond in the rough that's going to stand out above its peers and prove that the subgenre has teeth? Or is it going to be just one more for the pile? In the case of this book, my answer (at the moment) is a resounding "I have no idea."
The basic plot run-down sounds like an idea with legs but not a lot of thought given to how to evolve said idea. One of our many protagonists is Ellie, whose scientist father decides that the best way to weather an incoming horrible presidency is to cryogenically freeze himself and his family for ten years. However, Ellie is found only three years into President Lyon's four-year term. She awakens to a country reinvented: ReAdmission programs brainwash the public, force all women to bleach their hair and go into stereotypically "lady" professions, and science and medicine are outlawed. However, there are rebels who hang on, including Ellie's brother Scott who refused to join the family in cryosleep. Meanwhile, ReAd Olivia finds herself shaken out of her blissful ignorance by a peanut allergy.
The thing with The Season of Light and Darkness is that the prose is good and it's clear this came from a lot of very current feelings. And I want to emphasize that the prose is good, because the rise of generative AI is bringing with it the idea that anything polished can't possibly be human. No matter how I feel about a book in terms of how it spins its plot, I will always champion human writing, and any critiques I have just mean it's worth bothering to take time to critique.
There were two big feelings I came away from with this. One was that the worldbuilding felt rushed. The springboards from which this story originated are relatively obvious, and it's a little hard to demand subtlety and subtext in dystopian narratives. The problem is, a lot of what's played out starts to crumble under the lens of real-world experience.
Why would an educated man believe that four years of bad sociopolitical decisions could be walked back in six years, enough that it would be worth waking his family that early? In fact, why would a scientist consider a science experiment a safe place to store his family in the wake of a movement that's doing away with science? Unless we discover in a later book that her parents were plotting an elaborate suicide, it doesn't scan.
Similarly, the horrors of ReAdmission feel a little too blunt. Again, it's difficult to demand nuance from a dystopian novel. But as much as I liked the characters and their particular concerns — Ellie feeling guilty for longing for prom when the world is burning was great, for instance — the overarching intrigue feels patchy and undeveloped. If we were only seeing through Ellie and Liv's eyes as they come out of their respective hazes, it would be one thing. But so few things click, even as we accompany freedom fighters, that the thread of ReAd feels more like an all-purpose bogeyman than a legitimate statement.
There are other issues at play. The fact that the only undrugged, unhazy women in the narrative are sidelined or outright killed, even as Liv proclaims she doesn't need a man to save her, feels a little harsh. Even in a narrative denouncing the systemic subjugation of women, it's the male protagonists who get to be grey and nuanced.
I wanted to like The Season of Light and Darkness, and I especially wanted to see how it handled difficult situations like when and how to take action in a crisis. But it feels like so much of the story was focused on being visually striking that a lot was lost in the actual meat of the story.
I'd love to be proven wrong in later volumes, and I'd love to see this prose shoring up something really insightful and incisive. But the first book, while an interesting series of character studies, doesn't really thrill. Nonetheless, I am ready and willing to eat my words if later books prove these concerns either incorrect or part of some bigger narrative plan.
TEA PAIRING: The Dragon's Flame
Between a group of freedom fighters burning through the current regime and Ellie needing a serious thaw, this warming cinnamon spice tea is my pick for this pairing. Use my code KARA15 for 15% off this and other teas from Chapters Tea & Co.!
FEATURED CANDLE: Elven Vale
This month's limited-edition candle is thematically worlds apart from the story, but the calming natural scents bring to mind a world left behind, and one that our heroes can hopefully find once again. Use my referral link for a discount on other bookish candles from Frostbeard!